The Art of
Gilbert Munger

by Michael D. Schroeder
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Home Page
User Guide
Website Features
Brief Munger Biography
Document Archive Guide
Document Archive
Sources
Acknowledgments
The Picture Catalog
 Locales Depicted ...
  California   Idaho
  Minnesota   Nevada
  New York   Oregon
  Utah   Virginias/DC
  Washington   Wyoming
  Unknown USA
  England   France
  Scotland   Venice
  Unknown
Picture ID# Index
Munger in Museums
Munger in Tweed Museum
2003/4 Exhibition
Wa(h)satch Views
Systematic Geology Prints
Autograph   Palette
Munger in IAP
Auctions sorted by ...
  Painting   Date+$   House
More Artists "Munger"
Site Updates
Site Construction Notes
Image Manipulation
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Website Features


This page describes the principle features of the Munger website. In addition, the website has many indexes and other short articles on specific topics related to Munger and his art. The Blue Menu at the left of each page will lead you to all the features of the website.

Document Archive

The website's Document Archive of period materials by and about Munger is organized chronologically. The Document Archive Guide is a fast way to go to a particular period in Munger's life. Each archive entry carries a source attribution. The material presented has been collected over 30 years and is still being added to. The startling advances on digitizing newspapers, periodicals, catalogs, and books from the last 200 years has helped with this work tremendously. In addition, many people in the art world have generously provided items from their files.

The Picture Catalog

The main body of this website is an indexed Catalog of the Munger pictures identified during 30 years of research. In the early 1990s, the most complete list of his pictures contained about 70. The initial version of the catalog, released in 1999, contained 173. It now contains over 320. This must be a fraction of Munger's total output and I would be glad to learn about more. For example, a letter he wrote from Venice, Italy, said that he was returning to England with 50 paintings, but this catalog lists just 20. There is a good chance that many early paintings were lost in the fires associated with the great 1906 San Francisco earthquake.

In this catalog the pictures are grouped by geographic locale. Within each locale pictures are ordered by height, then width. Since reported dimensions of paintings are quite unreliable, measurements are rounded to the nearest half inch, with .25 inch rounded down and .75 inch rounded up. The "Next" and "Prev" controls follow this order. Each picture entry provides title, height x width in inches, medium, inscriptions, and labels. The prospect and signifigance may be discussed. In addition, recent public appearances of the painting in print and/or an exhibition, recent auction records, and notes on provenance are presented.

Most items in the catalog are paintings, but in the catalog also contains chromolithographs, etchings, and drawings.

The ten chromolithographs are plates from the 1878 book Systematic Geology by Clarence King, volume 1 of the U.S. govenment's 40th Parallel Survey report. The list of illustrations for that book states that the plates are "after studies by Gilbert Munger." These plates help in the identification of paintings.

Several reports indicate that Munger did a good business in etchings in London for the Fine Art Society. The etchings included here are a Barbizon landscape, a view of the ships in an English herring fleet, five views of the Inns of Court in London, and four book plates engraved by Munger that were discovered in a visitor's guide to Washington D.C. published in the mid 1800's.

Finally, one drawing is the earliest picture we have from Munger. In it we see the extraordinary ability to draw that underlies his work.

Abbreviations

The following abbrevations are used in the catalog entries:

Images of Pictures

A catalog entry contains an image of the picture whenever possible. In many cases these images are from low quality sources, for example photocopies of auction catalog pages. Some images came into my hands already in the digital domain with low resolution, thus limiting the presentation quality. Nevertheless, I stick to the principle that some image is better than no image.


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© Michael D. Schroeder 2 May 2007; Updated 15 Nov 2021.